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Being There

by Yellow Swans

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kkona
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kkona By far my favorite yellow swans record. Something about it makes me keep crawling back to it’s indescribable onslaught of noise. Every time I listen I discover another layer of noise I hadn’t heard before that completely changes how I hear the song. 10/10 best noise album ever man. Favorite track: Comedy Hypnosis.
flossy-
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flossy- An incredible wash of noise that's both all-consuming and comforting at the same time. Feels like "Going Places" but turned up to 11. Favorite track: Public Space.
Gunnison6610
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Gunnison6610 Noise that indescribable with words. Oceans of sound crash over each other, with haunting voices coming out of the noise just to get enveloped by the noise again. This album may or may not be my favorite Yellow Swans album. Thanks to Gabe and Pete for this amazing stuff. Favorite track: Foil.
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  • Being There double LP
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1.
Foil 18:13
2.
3.
Public Space 17:46
4.
Inhabitants 15:57

about

Pete:
This bonus CD to the Going Places album shows a bit of the process behind the final album, you get two VERY extended versions of album cuts… and both are VERY wild rides. I understand why people like Going Places, it has a focus a lot of our work lacked, but here you see that the focus is just the product of selective editing, cobbled together from bits of more drawn out, psychedelic, ramblings. I love these recordings, we’re at the peak of powers and the evolution of these improvised pieces minute-to-minute make no sense to me now. They’re surprising, enveloping and really GO.

credits

released February 1, 2010

VINYL REISSUE IMMINENT VIA BOOMKAT

Recorded 2007-2008 at Below Rotture, Portland, Oregon, Cascadia.

Tracks 1 and 3 released as an LP by En/Of.
Track 2 released as a split LP with Ex-Cocaine on Not Not Fun.
Track 4 released as a split LP with Oakeater on Black Horizons.

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Yellow Swans Portland, Oregon

From their 2001 founding to the duo’s final shows (and subsequent hiatus) in 2008, Gabriel Mindel Saloman and Pete Swanson aka Yellow Swans carved an influential path through America’s experimental music underground, at the axis of noise, psychedelia, industrial, drone, and hardcore. Their music is restless, ragged, and forever in flux, untethered and unresolved. ... more

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